Minnesota Orchestra

Symphony Art Project

Are you ever inspired by music? Are you a college student for whom a study session would be incomplete without “ear buds” habitually positioned in said ears and the latest up-and-coming sounds from emerging bands playing from your rotating playlist? (What are the kids listening to these days?) Are you an artist who prepares to paint/sculpt/etc. not only by setting out your materials and tools, but by also pressing play on your chosen audio transmitting device to start a carefully curated soundtrack to which you whistle to while you work? Musical inspiration and artistic creation was in the mind of Antal Dorati, director of the Minneapolis Symphony (known today as the Minnesota Orchestra) when he approached the Young People’s Symphony Concert Association (YPSCA) in 1949 with a proposed program titled, Symphony Art Project.

SymphonyArt-Poster.jpgAn official invitation to participate in the 1955-1956 season of the Symphony Art Project by the YPSCA dated November 21, 1955, indicates that “For the benefit of those who may be participating for the first time…” a description of Dorati’s impetus for creating the program is expressed: “to encourage a deeper sympathy and understanding for music in young people.” Dorati “suggested that one way to arouse [student] interest would be through their expression in art media of the ideas and emotions gained in listening first to ‘live music,’ whenever possible, and secondly to recordings and broadcasts.” (Original symphony recordings were provided to schools that could not send students to view a symphony concert in Northrop Auditorium.)

SymphonyInvitation1.jpg The invitation (at left) also provides additional background about the program, and includes rules and instructions for participation, noting that, “Pupils from kindergarten through high school may participate,” and that “This is not a contest.” The Young People’s Symphony Concert Association sponsored the annual program, and schools from across the metro area participated. Each school displayed the art created by their students within their own buildings, and teachers later selected a representative example of works produced by their students to be included in a spring exhibition at the University Gallery.

Clippings found in the University Gallery press books show the students in the midst of creating their music-inspired works:

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Another clipping provides an example of student work. The Minneapolis Symphony program from March 23, 1956, shows a painting inspired by Fritz Kreisler’s musical arrangement, “The Dancing Doll.” The artist, student Marlene Gossel, described her inspiration, “I thought about pretty toe dancers twirling about.”

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Though the Minnesota Orchestra is currently quiet, the organization still performs Young People’s Concerts and holds other education and outreach programs and activities to spread the appreciation of symphony music to all ages.

*(All of this symphony-izing has subsequently inspired me to search for and listen to arrangements I remember playing in combined orchestra in high school… Yahoo!)

 


Awesome Auditorium

Today, Monday, October 22, marks the 83rd anniversary of the opening and dedication of Northrop Memorial Auditorium at the University of Minnesota. This is an important milestone when considering that this performance hall and concert venue is currently closed, undergoing a major reconstruction and revitalization to preserve and update the facility. Northrop is an important building in the history of WAM, as it is the building where the museum resided for 59 years prior to moving into the Frank Gehry designed stainless steel clad Weisman building in 1993 (the museum’s “home” for nearly 20 years).

This anniversary reminds us of the enduring legacy of buildings and facilities at the University of Minnesota. The Northrop Auditorium building, named after University President Cyrus Northrop, opened in 1929 to fanfare and musical celebration. As described in a MN Daily article, “University Opens Doors of Auditorium At First Dedication Program Tonight,” the opening ceremony was complete with performances from the symphony orchestra, a piano solo, and the University band. In addition, “A cannon at the head of the mall will be fired near the close of the concert, in accordance with the custom of giving a military salute at the dedication of a state building.

The October 23, 1929 edition of the MN Daily, which covered the opening celebration, reported that although nearly every seat was filled, the opening festivities were not pitch perfect. The grand cannon salute – which was scheduled to fire during the finale performance of the “1812 Overture” to represent the guns fired during the infamous battle for which the piece was written – did not go off as planned. As John Harvey of the MN Daily explained:

‘Did you hear the cannon?’ With those words, Henri Verbrugghen, director of the Minneapolis Symphony orchestra, finished the first of a series of dedicatory exercises for the Cyrus Northrop Auditorium last night after a concert with Eunice Norton as soloist.

High winds broke wires that were to have taken the signal to representatives of the military department and prevented the firing of a cannon as part of the finale of Tchaikovsky’s ‘1812 Overture’ in which the University band joined with the symphony orchestra.”

Despite the (technical?) snafu, the tradition of commemorating a state building was not forgotten. Harvey reported that, “After the crowds left the campus, 10 shots rang out saluting belatedly the opening of the building.”

In the early years of the building, the Minneapolis Symphony Orchestra (now known as the Minnesota Orchestra, which moved from Northrop to Orchestra Hall in downtown Minneapolis in 1974) regularly held concerts, and the University Artists Course hosted a wide range of musical and theatrical performances. It wasn’t until 1934, nearly 5 years after the commemoration of the building, due to the fortuitous insight and dedication of University administration – to include President Lotus Coffman and Assistant to the President Malcolm Willey – that a “little” art gallery would open on the 4th floor of the facility. Though no cannons were used in commemoration of the gallery, the festivities planned to celebrate the opening of a new space for the exhibition of original artwork on campus was befitting of the tradition of the building. Read more about the “Little Gallery” opening ceremonies from a 2011 WAM Files blog post.

View past photos of and about Northrop Auditorium on the UMedia Archive.