Frank Gehry

Many Many Many Thanks

Thank you notes. Copies of hundreds and hundreds of hand written, personalized thank you notes, jam packed and bound into sturdy 4″ cloth covered binders that are labeled “datebooks”.

These notes were all written by Lyndel King, Director of the University Gallery and Weisman Art Museum (WAM) since 1975.  King was director during the fundraising campaign and building process of the iconic Gehry-designed museum, which opened in 1993. The notes of gratitude contained in these “datebook” binders were written in 2010 to the many donors responsible for funding the 8,100 square foot addition to WAM.

Stewarding the relationships that make art collections and museums possible is just one of the many behind-the-scenes, and often thankless, duties of a museum director. These notes show grace, expertise and a passionate commitment to WAM. I can only imaging the time and effort she put into ensuring every donor was appropriately and personally thanked for their contribution.

A big thank you to Lyndel King for her efforts and achievements on behalf of WAM, the arts, the UMN community and beyond.

Paging through a “datebook” of correspondence including personalized thank you notes from Lyndel King to donors.

Special thanks to Liz Kammerer and Mark Yechout for their help in making the gif for this post.

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


To be 10 Years Old!

Like cloud gazing, the Weisman Art Museum’s facade reflects the world around us and captivates adults and children alike.

Among other festive activities and exhibitions celebrating the 10th Anniversary of the building in 2003, young visitors were invited to collaboratively color this poster-size image of the Weisman.

I might see a reflection of Andersen Library in shadow, an orange sun setting behind it.

What catches your eye?

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


One Gehry to Another – Postcards to the Museum

 

 

Usually we think of sending postcards from a museum, but postcards sent to a museum? Today’s archival highlight is just that: postcards sent to the Weisman Art Museum highlighting Frank Gehry designed buildings around the world. 

Postcard image of a home on Venice’s Ocean Front Walk designed by Frank Gehry in 1984. Original photograph by Jeffrey Stanton.

 

Postcard image of the Frank Gehry designed museum at the base of Seattle’s Space Needle — known as the Experience Music Project, also known as the EMP Museum, also known as the Museum of Popular Culture or MoPOP. Original photograph by Stanley Smith.

 

Postcard image of Prague’s notable architecture featuring the Frank Gehry designed building called Dancing House, which was inspired by the dancing of Ginger Rogers and Fred Astaire.

 

Postcard image of the Frank Gehry designed Walt Disney Concert Hall of the Los Angeles Philharmonic. Original photograph by Grant Mudford.

 

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.


Sighted: James Lee Byars!

 

 

As you can clearly see by the hat, this architectural sketch by E.C. of Frank O. Gehry & Associates exemplifies not only how the skylights of the Weisman Art Museum cast light indirectly to illuminate artworks but also the hope that conceptual artist James Lee Byars (1932-1997) might visit the shining new building upon its completion in 1993.

Coincidence or not?

 James Lee Byars performing "UP?" for "Made With Paper" exhibition

James Lee Byars performing “UP?” for “Made With Paper” exhibition in 1968 at the Museum of Contemporary Craft in New York City, wearing his signature hat. Photo courtesy of the American Craft Council. http://digital.craftcouncil.org/digital/collection/p15785coll6/id/6038/rec/4

“Obsessed by the idea of perfection, Byars produced a remarkable body of work that strove to give form to his search for beauty and truth. Pursuing what he called “the first totally interrogative philosophy,” he made and proposed art at scales ranging from the vastness of outer space to the microscopic level of subatomic particles, in an attempt to delineate the limits of our knowledge while enacting a desire for something more.” – Wikipedia

Heather Carroll is the processing archivist for the Weisman Art Museum‘s collection at the University of Minnesota Archives. This project was made possible by funds provided by the State of Minnesota from the Arts and Cultural Heritage Fund through the Minnesota Historical Society.