April 2011

Happy Anniversary!

MNDaily_4.4.11.pngSeventy-seven years ago, on April 5, 1934, the experiment in fine arts, the “Little Gallery” opened at the University of Minnesota in a few rooms on the top floor of Northrop Auditorium. The front page of the MN Daily for April 5th announces the opening convocation that was held to commemorate the opening, and advertises that Mr. Russell A. Plimpton, of the Minneapolis Institute of Arts, would be giving a speech titled, “Who Started Museums Anyhow?,” to include a slide presentation of, in Plimpton’s regard, “some of the most interesting museums in the world.”

The following day, April 6, the MN Daily front-page headline reads, “Museum Head Converts Students to Art, Culture.” Another article, placed near the bottom of the page, titled, “Art Finds Home In New Gallery Over Auditorium,” vividly describes the activity in Northrop Auditorium with the addition of the new gallery:

“While several hundred students and faculty members wandered through the University’s ‘Little Gallery’ on the third floor, viewing the work of famous European and American artists, a typist on the floor below blended the staccato notes of her machines with opening chords of Beethoven’s fifth symphony, as interpreted by the orchestra on the stage of the auditorium.

An unnamed workman, oblivious of the great event which was transpiring upstairs, found the necessity to grasp a hammer firmly and contribute to the booming of the drummer, practicing in the University band rehearsal room.

Upstairs, a professor gazed at the exhibits hung along the wall of the improvised gallery, ‘Those are the first original pieces by Corot and Henner that I have ever seen,” he declared to no one in particular. And that was the general impression as the University contributed a full-fledged art gallery to its courses in culture.”

(The Plimpton speech article continues onto page 3. Also on page 3, don’t miss the advertisements for Rice Krispies cereal or Arrow Underwear. “Nothing tries my patience like creeping underwear.”)


Luciano’s Lines

An Italian artist named Luciano Lattanzi had an exhibition titled “Semantic Paintings and Drawings” at the University Gallery in 1960. While logging his file, I found a mysterious stack of pen drawings, rendered in a spiderweb-like scrawl. These turned out to be made by the artist himself — you can see his signature at the bottom of the images. I realized these were templates for a promotional poster for the show. The file contained a reproduction of the following drawing, so I assume they chose this for the poster:

lattanzi1.jpg

And here are two of the unused poster designs:
lattanzi2.jpg lattanzi3.jpg


Questionnaire

Questionnaire1.JPGAs I reached to pull the folder titled, “Victorian Questionnaire” out of the box and opened the front flap to transfer the contents, to my surprise, there were no loosely assembled papers or correspondence, research, or exhibit checklists (as per usual), but rather a stiff and tightly packed manila envelope.

A peak inside the envelope revealed a stack of ¼ sheet questionnaires, completed by those that attended the campus-wide festival, “The Art & Mind of Victorian England” held September 28-November 8, 1974, and included public balloon ascensions, Victorian music performances, production of the operetta, ‘Patience,’ library display of 19th century boys magazines, and a lecture series. A University Gallery exhibition titled, “The Art and Mind of Victorian: England: Paintings from the Forbes Magazine Collection,” was also part of the festival. From an August 20, 1974 U of M News Release (Digital Conservancy):

“Included are 47 paintings, spanning the reign of Queen Victoria, and furniture and decorative objects from the period. This will be the first time the paintings, assembled by Christopher Forbes as part of the Forbes Magazine Collection, have been publicly displayed.”

Questionnaire2.JPG Questionnaire3.JPG

I wonder who was tasked with tallying all of the submitted answers?